Midnight downpour over a forgotten wedge. Pris—fragile, defiant, ethereal—crouches atop the 1967 Alfa Romeo Carabo, Bertone’s razor-sharp concept that once redefined automotive silhouette. Lime-green bodywork gleams under relentless rain, reflections fracturing across the low-slung hood and scissor doors like shattered glass. Heavy digital impasto layers build the mood: thick, textured strokes for the wet asphalt, glowing teal-green highlights cutting through near-black voids, chiaroscuro pushed to the edge. The ballerina tutu dissolves into mist and shards, blending fragility with the car’s brutal geometry. No clean lines—only raw, painterly contrast and the sense of something beautiful caught in the wrong storm. Personal exploration of automotive myth meeting surreal.
She jumped.
Not to escape.
To finally feel the ground.
She's still alive.
Just jumping.
Again.
Body rips.
Shadow stays dancing when she can't.
They can't die.
They just keep falling.
Performance ends
and the body remembers
It was never allowed to stop performing.